DFTextilArt Tapestry & Object Study
Learning Experience I was selected as a Chinese painting participant for contest and joined after-school training courses when I was in third grade of Elementary school with a hobby of drawing all the time. In memory, we often brought four treasures, namely, pen, ink, paper, inkstone, to each other’s home and painted happily on the weekend. Admitted to Fu-Hsin Trade and Arts School, Yonghe, Taipei when I was fifteen years old. In the three years, taught in a fully artistic environment, by Guo Mingfu (painting), Ye Songsen (sculpture), etc. The foundation of painting and concepts was shaped influenced by enlightenment and guidance of a number of teachers. In August 1986, I ended my career in Taiwan and went to Austria to prepare for college entrance exams. In October, I entered the University of Vienna, Austria (Universität für angewandte Kunst Wien), supervised by Prof. Peter Weibe and Prof. Bernhard Leitner. In the next year recommended by Prof. Maria Wessely, successfully transferred to fabric creation , becoming Prof. Sepp Moosmann's first Asian student. I take white  warp as "canvas", colorful weft as a "brush." After six years of rigorous German education, I learned professional theory and practice and realized the application of  "fiber materials and handmade textiles." I love this "applied art" that combines textile craftsmanship and technology, and I see it as my future goal. Reflection "He is the warp and I am the weft." Life is like a Gobelin, and joy comes from the process. It often takes me a few months to create and capture ideas, and then by the support of photography or painting comes the composition. When all the visual elements are clearly in place, that touching moment facilitates me. I let myself be inspired by observing nature and then interpret invisible ideas into concrete images through photography or painting techniques. The processes of combining materials and forming beauty are all in the details which will be conducive to furniture and clothing development.
2023 No.2 Lilac	2024 No.1 Golden meadow
2021 No. 2 Thankful	2022 No. 1 E-Mail	2022 No. 2 White Sun	2023 No. 1 A bowl of water
2019 No. 3 Backlighting	2020 No. 1 Make-up removal	2020 No. 2 Licht / Light	2021 No. 1 Relief
2018 Looks 15	2018 Looks 16	2019 No. 1 Sunflowers	2019 No. 2 Goldene Zeiten
2017 Looks 12	2018 No.1 Gaze	2018 Looks 13	2018 Looks 14
2017 Looks 8	2017 Looks 9	2017 Looks 10	2017 Looks 11
2016 No. 2 Visitors outside the window II	2017 Looks 5	2017 Looks 6	2017 Looks 7
2015 No 1 Speed	2015 No 2 Melting Point	2016 No 1 Juli’s Whisper	2016 No. 2 Visitors outside the window I
2014 No 2 Looks / Unus	2014 No 2 Looks / Duo	2014 No 2 Looks / Tres	2014 No 2 Looks / Quattuor
2014 No 1 Waiting	2013 No 2 Signs of growth	2013 No 1 Dance steps	2012 No 3 Brilliant Luster
2012 No 2 Charming Finger	2012 No 1 False memorory	2011 Flowing Water	2010 Das Grün III 70 x 90 cm (Ausschnitt)
2006   Traumtherapie 150 x 150 cm	2004  Kleiner Jäger           70 x 71 cm	2004  Das Grün II 70 x 100 cm	2003   Fire Festival 74 x 71 cm
1998 No 1 Stephanie's Sprache III	1997    die Nacht    40 x 120 cm	1997   Dividing Lines 43 x 87 cm	1996   Stephanie`s Sprache II 85 x 109 cm
1995 Stephanie`s  Sprache I  50 x 105 cm	1992   Das Grün I 120 x 102 cm	1990   Jägertagebuch 150 x 200 cm	1988   Die Kämpfer 50 x 70 cm