Tapestry & Object Study
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            Tapestry Object Study     Birke Serie


 gn1    en1

Learning Experience

I was selected as a Chinese painting participant for contest
and joined after-school training courses when I was in third grade of Elementary school
with a hobby of drawing all the time.
In memory, we often brought four treasures, namely, pen, ink, paper, inkstone,
to each other’s home and painted happily on the weekend.
Admitted to Fu-Hsin Trade and Arts School, Yonghe, Taipei when I was fifteen years old.
In the three years, taught in a fully artistic environment, by Guo Mingfu (painting), Ye Songsen (sculpture), etc.
The foundation of painting and concepts was shaped
influenced by enlightenment and guidance of a number of teachers.
In August 1986, I ended my career in Taiwan and went to Austria to prepare for college entrance exams.
In October, I entered the University of Vienna, Austria (Universität für angewandte Kunst Wien),
supervised by Prof. Peter Weibe and Prof. Bernhard Leitner.
In the next year recommended by Prof. Maria Wessely,
successfully transferred to fabric creation , becoming Prof. Sepp Moosmann's first Asian student.
I take white  warp as "canvas", colorful weft as a "brush."
After six years of rigorous German education, I learned professional theory and practice and realized the application of
 "fiber materials and handmade textiles."
I love this "applied art" that combines textile craftsmanship and technology,
and I see it as my future goal.


"He is the warp and I am the weft." Life is like a Gobelin, and joy comes from the process.

It often takes me a few months to create and capture ideas,
and then by the support of photography or painting comes the composition.
When all the visual elements are clearly in place, that touching moment facilitates me.
I let myself be inspired by observing nature and then interpret invisible ideas
into concrete images through photography or painting techniques.
The processes of combining materials and forming beauty are all in the details
which will be conducive to furniture and clothing development.

2023 No.2
2021_2_w E-Mail_w 2022_2_w 2023_1_w
2021 No. 2
2022 No. 1
2022 No. 2
White Sun
2023 No. 1
A bowl of water
2019_3_werke 2020_1_w 2020_2_W 2021_1_w
2019 No. 3
2020 No. 1
Make-up removal
2020 No. 2
Licht / Light
2021 No. 1
2018_2_W3 2018_2_W4 2019_1_ww 2019_2_w
Looks 15
Looks 16
2019 No. 1
2019 No. 2
Goldene Zeiten
2017_W_4 2018_1 werke 2018_2_W1 2018_2_W2
Looks 12
2018 No.1
Looks 13
Looks 14
2017_1_4_w 2017_W_1 2017_W_2 2017_W_3
Looks 8
Looks 9
Looks 10
Looks 11
2016_2_2_fi 2017_1_1_w 2017_1_2_w 2017_1_3_w
2016 No. 2
Visitors outside the window I
Looks 5
Looks 6
Looks 7
FinalWerk 2015_2_Werke 2016 2016_2_1_fie
2015 No 1
2015 No 2
Melting Point
2016 No 1
Juli’s Whisper
2016 No. 2
Visitors outside the window I
2014No2_final1 2014No2_final2 2014No2_final3 2014No2_final4
2014 No 2
Looks / Unus
2014 No 2
Looks / Duo
2014 No 2
Looks / Tres
2014 No 2
Looks / Quattuor
2014_Final_2 2013_2_final 2013_No50 20123333
  2014 No 1
2013 No 2
Signs of growth
2013 No 1
Dance steps
2012 No 3
Brilliant Luster
2012 No 2
Charming Finger
 2012 No 1
False memorory
Flowing Water
2010 Das Grün III
70 x 90 cm (Ausschnitt)
kleiner Jäger
2006   Traumtherapie
150 x 150 cm
  2004  Kleiner Jäger          
70 x 71 cm
2004  Das Grün II
70 x 100 cm
2003   Fire Festival
74 x 71 cm
Aus_Nacht 1997_3
  1998 No 1
Stephanie's Sprache III
  1997    die Nacht 
  40 x 120 cm
1997   Dividing Lines
43 x 87 cm
1996   Stephanie`s Sprache II
85 x 109 cm
Ausschnitt Jaegertagebuch die Kämpfer
1995 Stephanie`s  Sprache I
 50 x 105 cm
1992   Das Grün I
120 x 102 cm
1990   Jägertagebuch
150 x 200 cm
 1988   Die Kämpfer
50 x 70 cm